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This morning the finalists for the National Book Awards were announced in five categories, including Young People’s Literature, and it’s a stellar line-up of books. The winner will be revealed on the evening of November 14 and John Corey Whaley, author of this year’s Michael J. Printz winner, Where Things Come Back, will host the National Book Awards Finalists Reading the night before.  It’s times like these that I wish I lived in New York, what a fantastic way to spend an evening…

Check out the list of contenders for Young People’s Literature below, plus an exclusive interview between finalist Eliot Schrefer (Endangered) and David Levithan.

  • Endangered: Set in the dangerous world of the Congo, one girl must save a group of bonobos–and herself–from a violent coup that forces all of them from sanctuary.
  • Goblin Secrets : In this atmospheric fantasy and adventure novel, a young boy joins a theatrical troupe of goblins in an effort to find his only living relative–his big brother.
  • Out of Reach: When Rachel’s brother goes missing she’s forced to face his addiction and her own dark secrets in an effort to discover the truth about his disappearance.
  • Never Fall Down: Based on a true story, a boy becomes a child of war under the Khmer Rouge and confronts horrors and hardships in the killing fields by living the credo never fall down.

 

David Levithan Interviews Eliot Schrefer (you can read the whole thing after the jump)

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The 2012 National Book Award finalists were announced this morning on MSNBC’s Morning Joe, the first time they’ve been announced on television. This year’s list of finalists includes a number of familiar literary faces, as well as some relative unknowns. In particular, Domingo Martinez woke up this morning to discover himself listed among nonfiction giants Anne Applebaum, Katherine Boo, Robert Caro, and Anthony Shadid-all of whom have won Pulitzers. Mr. Martinez lives in Seattle, and his Amazon author page says, “He lives awkwardly in a small 1930s apartment building on lower Queen Anne, enjoying the absence of sunlight.” Today must feel a little less awkward.

The fiction list features two relative newcomers, both debut novelists who’ve written exceptional war novels (and both Fullbookstore Best of the Month selections). Of Ben Fountain’s Billy Lynn’s Long Halftime Walk, Amazon Senior Editor Neal Thompson wrote, “With fierce and fearless writing, Fountain is a writer worth every accolade about to come his way.” Now that includes being nominated for an NBA. Amazon Senior Editor Jon Foro was equally effusive of Kevin Powers’ debut Yellow Birds, writing “Powers, an Iraq veteran, eyes the casual violence of war with a poet’s precision but without romanticism, moving confidently between scenes of blunt atrocity and almost hallucinatory detachment with Hemingway-like economy and prose that shimmers like desert heat.”

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Graphic Novel Friday: Rio Rides Again

September 3rd, 2012 | Posted in Bestsellers

When publisher IDW announced their hardcover collection of Doug Wildey’s Rio, I immediately recalled a favorite television show from the late 1980s, Paradise (later renamed Guns of Paradise). The western drama starred Lee Horsley, and here he was on the cover of a comic book! Well, maybe not quite. Artist and writer Doug Wildey began chronicling the adventures of his outlaw-turned-presidential-pardoned-special-agent Rio in 1983 and worked on the character until his death in 1994, so perhaps the producers of Paradise were influenced by Rio or perhaps grizzled, bearded men in the Wild West look similar under a cowboy hat.

What IDW has done, however, is produce something unique. Several of the Rio tales contained herein have been in and out of print across multiple publishers for years, but two stories, “Red Dust in Tombstone” and “Reprisal” see publication for the first time. But here’s where things get very special: “With the exception of 10 story pages, all the images in this volume were scanned directly from Wildey’s original artwork.” In addition to 272 pages of incredibly rendered fisticuffs, ambushes, and gun fights, the reader is treated to a glimpse at the true process of creating a comic book, along with Wildey’s smudges, hand-corrected letters, and yellowed corners. Rio’s adventures feel authentic because now they are; this is as close to experiencing Wildey’s method as I can imagine.

Rio is a man trailed by friends and enemies. His relationships tumble across his boots and through his sights. Wildey doesn’t spend time explaining backstories or narrating motives; the blood spills as it may, and the storytelling on display is never formulaic. Panels are lively, riddled with bullet lines, rain streaks, and occasionally shaped like a torn photograph when the narrative calls for it. Rio escapes by foot, horse, and boat, surrounded by rich vistas and handsome characters. As Mark Evanier notes in his introduction, even Wildey’s illustrative methods were unique. A self-taught artist, Wildey freely mixed media, including oil, acrylics, Magic Marker, and more, giving his pages a sense of surface and terrain.

Longtime fans will want to quickly flip to the two new stories—“Red Dust in Tombstone” is one of the strongest stories in this collection and “Reprisal,” in its unfinished state, is a rare look at an artist at work. The result is a book that will appeal to comic fans, western readers, and art aficionados—in short, just about everyone who appreciates great stories beautifully told.

Directed by Steven Spielberg, with a screenplay by Pulitzer Prize- and Tony-winning writer Tony Kushner, and starring Daniel Day-Lewis as the President, “Lincoln” is shaping up to be one of the biggest movies in recent memory.

The movie is based in part on Doris Kearns Goodwin’s masterpiece Team of Rivals, a huge best seller and winner of the Pulitzer. So it makes sense that Simon & Schuster would give the book a new cover… and it’s a good one.

James Dashner’s Maze Runner Trilogy is one of my absolute favorites for YA in recent years.  A plague, a government experiment, non-stop action and plot twists–Dashner had me from the first book and he didn’t disappoint except in making this a trilogy.  I wanted more, and sometimes you get what you wish for: last week The Kill Order released and this fabulous prequel to The Maze Runner went a long way toward answering my many questions about the time before Thomas entered the Glade. In fact, we loved it so much around here that we made it one of our picks for Best Teen Books of August. 

After writing these four books we figured Dashner might have a good idea of what would be useful to have in the event of an apocalypse (weapons? duct tape? toothpaste? hot dogs!?) so we asked for his Top 10 list of must-have items, you can check it out below.

Earlier this summer we had a chat with the author (who still has a hint of that smooth Georgia accent, btw) and in the video interview below we learned more about The Kill Order, a new series he’s launching this month for middle graders starting with The Infinity Ring: Mutiny in Time, AND a new YA series he’s working on (!).

James Dashner’s Top Ten Things I’d Want During the Apocalypse:

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Peter Heller stopped by Amazon’s Seattle campus for lunch last week, to talk about his fantastic first novel, The Dog Stars, which our editors picked as one of our Best Books of the Month for August. Peter’s actually a much happier guy than he apears in the photo below, holding up the coaster we asked him to sign. (Peter’s response, when I shared this mugshot with him: “Looks like I just knocked off a 7-11 and proud of it.”)

HellerScroll down to watch our video interview with Peter.

What’s the elevator pitch for The Dog Stars?

It’s about two guys who live at a little country airport—just a landing strip, some houses—nine years after a superflu kills 99% of people.  Hig sleeps under the stars every night with his dog Jasper, and every day they fly a patrol in Hig’s 1956 Cessna.  The other guy is a mean gun nut who showed up with a trailer full of guns and ammo.  That’s how it starts.

What’s on your bedside table and Kindle?

The Adventures and Misadvenures of Maqroll by Alvaro Mutis (it’s a modern day Don Quixote, just wonderful)an anthology of T’ang and Sung Dynasty poetry translated by Red Pine; and a teetering stack of other poetry—Eliot, Basho, Yeats, Jack Gilbert, Merwin.

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Gone Girl

August 13th, 2012 | Posted in Book Reviews

Hypnoman (Bayside, NY)

In Gillian Flynn’s brilliant new book Gone Girl we take an exaggerated look at a society obsessed with getting the edge at all costs. Most of us are flawed, granted, and have experienced feelings of rage, disappointment, second guessing, or confusion within a relationship. Even hatred and a thirst for revenge if hurt badly enough.

During the roller coaster of a ride into the minds of Amy and Nick, the level of premeditated manipulation and spin control is truly astounding, almost hard to believe. That’s what makes the book so much fun. We, as readers, can’t get a strong foothold on reality. We are being constantly manipulated. Just as the sleazy divorce lawyer and the social media pundits manage the TRUTH to their own agenda. For those who were frustrated by the ending, having the LAST WORD as uttered by Amazing Amy is really the beginning of a new chapter. And yes, there should have been a more discriminating use of the F word and C word (the overuse of profanity was a slight distraction for me). But any book that has me laughing out loud, dazzled by the dexterity of the written word, and constantly keeping me guessing and off balance is worthy of the highest rating. I’ve read all of Gillian Flynn’s books and this is her best.

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It can sound condescending when people declare a book is “not for everyone”, as if what they’re REALLY implying is that it’s only for people who are as smart, deep and perspicacious as they are. So I hope prospective readers of Gone Girl will take this in the spirit it’s intended when I say that this book truly *isn’t* for everyone!

Even as I was devouring this book in greedy gulps, loving every brilliantly crafted sentence and mentally ranking it near the top of my ‘favorite books of the past decade…’ list, I was aware that Gone Girl wouldn’t work for all my fellow readers, and I completely understand why.

At the risk of generalizing, this might not be for you if…:

1) You enjoy only ‘cozy’ whodunit mysteries. I’m among the biggest cozy mystery fans ever; my Kindle is brimming over with a ridiculous number of them. I even read and enjoy the Murder, She Wrote series (*cringe*), so clearly I’m not above choosing fluffy brain candy over grittier, darker literary fare. Be forewarned, though, that this isn’t a classic whodunit in the vein of Murder, She Wrote or my beloved Agatha Christie. If you’re averse to mysteries with profanity, true darkness and a less-than-tidy resolution, this decidedly UN-cozy thriller might not be for you.

2) If you need characters to be lovable and admirable—and that’s a totally valid preference, despite what some other reviews have implied—then this book is emphatically not for you. I found Flynn’s characters exceptionally well-drawn, compelling and layered. Slightly exaggerated reflections of our darker selves, in fact…but suffice it to say “lovable” is not an adjective that springs to mind!

3) This book’s journey is so thrilling and fascinating that I wasn’t overly concerned with the ‘destination’ (i.e., the ending). And when that ending did arrive, I found it far more fitting than the reviews had led me to believe it would be. Once I further pondered the ending and the chapters leading up to it—and this is a book you can’t help but ponder—I upgraded my opinion of the ending to ‘grudgingly impressive.’ But if you’re someone who judges mysteries only by how tidily they’re resolved, expecting everyone to get what they justly deserve (and many of us mystery fans do feel that way, which is fine) then, again, this book is probably not for you.

So who DO I think might love this book even a fraction as ardently as I did? Glad you asked… ;)

1) If you place a high value on writing style. Gone Girl gave my Kindle’s highlight button quite a rigorous workout. Gillian Flynn’s prose, dialogue and general flair for language borders on the sublime. It’s interesting to note that even many of the one-star reviews acknowledge that this book is exceptionally well written. If writing style factors heavily into your overall enjoyment of a book, I’d hit that tempting orange “buy” button immediately!

2) If you want a book that’s eminently thrilling, clever and just plain readable, yet also has a sneaky amount of depth and insight. As others have noted, this book is as much an exploration of relationships and the question of whether we ever *truly* know anyone (including ourselves) as it is a mystery—and a startlingly perceptive, “wow, she really GETS it” one at that.

3) If you’re craving a book which proves that ‘literary thriller’ is not necessarily an oxymoron (ah, finally we get to the title of this longer than expected review!)

In short (too late!), Gone Girl may not be for everyone, but it captured my book-obsessed heart like few others have. It’s resonant and thought-provoking and a whole lot of witty fun, albeit fun of the dark and warped variety. It’s beautifully, brilliantly written without ever being didactic or pretentious. Gone Girl has stuck with me for days, and it begs to be reread even now that the “what will happen next?!” suspense is gone.
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(David Yoo is the author of The Choke Artist: Confessions of a Chronic Underachiever, among other books.)

David-yooI’ve always struggled with the notion that authors today have to have some sort of platform. Aren’t writers by nature socially unsavvy mole people who write in large part because they suck at talking? Out loud? To people? Apparently not. In that regard, publishing a book is an utterly painful experience for me, as it serves to only amplify my feelings of what Dr. Ruth would probably refer to as “platform inadequacy.”

I shy away from reaching out to potential readers through the usual channels to tell them about my books. For instance, I stopped the practice of dutifully signing copies at bookstores, because there’s nothing more depressing than signing stock and then returning to said bookstore two months later to see that all five copies you’d signed are still there. My autographs are like the sticks of gum parents leave under their car’s tires before they leave their teenage son home for the evening. Heck, even talking about my books is near impossible. I’m handicapped by a self-consciousness that fosters an admittedly (but still paralyzing) unwarranted feeling that even mentioning to someone that I’m a writer smacks of snake oil salesman-speak; God forbid I come off like I’m trying to sell something to you.

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When I think of a wildly successful self-published author, I usually think of YA author Amanda Hocking and the novels that made her the talk of the publishing world a year ago. Hocking’s eBooks have now been successfully brought to print from a major publisher and she’s following up the popular Trylle trilogy with a new series, Watersong, that combines contemporary teen life and underwater mythology.  The first book, Wake, released this week and the addictive paranormal suspense novel has already received praise from customers and reviewers alike. 

Hocking is our featured Summer Reading author this week and we’ve got an embarrassment of riches from her.  In the exclusive essay below Hocking talks about getting trapped on a houseboat while writing Wake, plus her recommended summer reads (and why she loves them) and a video in which she answers fan questions.   What’s your favorite Amanda Hocking novel or series?

To get in the right mood to write Wake, I thought it would be fun to rent a houseboat to do some writing. For 10 days, my roommate, my dog, and I were scheduled to be on a houseboat on the Boundary Waters in Northern Minnesota. The Boundary Waters is an incredibly beautiful area, and the landscape definitely played a part in the inspiration for the fictional town of Capri in the Watersong series.

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One of the pleasures of attending Book Expo America in New York City early in June was meeting Walter Mosley, best known for the Easy Rawlins mysteries. He’s also a science fiction writer whose book The Gift of Fire/On the Head of a Pin is comprised of two novellas. “The Gift of Fire” takes as its inspiration the ancient myth of Prometheus, but is set in present-day South Central Los Angeles. In “On the Head of a Pin,” researchers find something hiding in high-tech animatronic film footage that leads them beyond reality. The book is the first of three sets of unique doubles by the O. Henry Award winner, part of his “Crosstown to Oblivion” series.

Mosley participated on the SF in the Mainstream panel at BEA, along with me, my wife Ann VanderMeer (The Weird), and John Scalzi (Redshirts). A relaxed and free-wheeling conversation in the green room beforehand included Mosley’s ruminations on airlifted crocodiles in Australia, among other topics.

As for the panel, at 30 minutes it was too short. I felt we were just getting into the meat of the topics when we had to stop. Early on Mosley called science fiction “the kind of writing that prepares us for the necessary mutations brought about in society from an ever changing technological world,” and as a result “The mainstream hasn’t excluded SF; the mainstream has excluded itself. No one told Jules Verne he was a science fiction writer, but he invented the 20th century.”

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